TV's Morality, Standards: Loose Across the Board
by L. Brent Bozell III
The heavily promoted Big Coming-Out Episode of
"Ellen" is now, Deo gratia, over. Most people (this writer
included) were long since sick of the hype. But still the question lingers:
Why did they do it?
The mantra within the entertainment community, conveniently
trotted out every time it causes trouble, is that it's "giving the market
what it wants." In this case, however, the market flatly rejected the
lesbian cha-cha-cha. A recent TV Guide survey found that by a margin of more
than 3 to 1, respondents believe it's a bad idea for a series to have a
homosexual lead character, and 61 percent of viewers familiar with the show
said they wouldn't watch The Episode. A USA Today poll found 46 percent of
respondents think there are too many gay characters and plots on prime time;
only nine percent think there are too few.
But Hollywood's promotion of homosexuality has nothing to do
with the market and everything to do with the powerfully militant gay
movement, "arguabl[y] the most effective lobby in television,"
believes TV Guide. What does Hollywood's gay movement want? Robert Peters of
Morality in Media has prepared a fascinating, and equally troubling, paper on
the subject. Excerpts:
"The gay movement does not exist to elect [former New
York governor] Mario Cuomo, nor to... pass the gay rights bill. These are at
best steps in a much larger process, namely, the creation of genuine
acceptance of homosexuality... in society at large. To create such changes in
social attitudes requires action at all levels of society; we need to be
concerned with that vast collection of institutions and apparatus that
determine ideology... including media... educational facilities, and the
like... " Lest anyone use this passage to ascribe conspiratorialist
tendencies to the likes of Mr. Peters, he is simply quoting the words of gay
activist Dennis Altman in the homosexual publication New York Native.
Altman continues, "[W]e are essentially a radical
movement... and in as far [sic] as we are successful we do indeed break down
the hegemony of certain traditional values about sex and relationships. Often
this perception is argued in terms of the need to defend our own minorities,
whether they be man-boy lovers, transvestites, or sado-masochists, a point
with which I would agree."
Television's portrait of heterosexual behavior doesn't
correspond to what goes on in the real America, either. The daytime hours,
with libidinous soap operas and raunchy talk shows, ooze sex. Prime time is
just as racy -- but has a far larger audience.
A soon-to-be-released study by the Parents Television
Council indicates that this raunch has now implanted itself firmly even in
what used to be the "family hour" - 8 to 9 p.m. Eastern and Pacific.
PTC researchers examined "family hour" shows during the February
sweeps period and found 60 references to sexual intercourse in 93 hours of
When you examine those references, their raunchy nature
becomes evident. Forty-three of them focused on either premarital or
extramarital sex; only twelve dealt with sex within the context of marriage.
(In five instances, marital status was unclear.) The overall
sex-outside-marriage to sex-within-marriage ratio: 3.6 to 1. Remember, we're
talking about the earliest hour of prime time, when millions of children are
the target audience.
Unfortunately, there's no shortage of proof for how sordid
it's become. Of the four hour-long episodes of Fox's "Melrose Place"
airing in the study period, three were consumed with storylines focusing on
marital, premarital, and extramarital sex. Led by
"Melrose," Fox was the most sex-obsessed network, with one reference
per hour, but in fairness, cheap sexual innuendo is almost everywhere. A clip
from CBS's "Pearl":
College professor: "I have been involved with the
finest balls [social dances] this campus has to offer." [Laugh track.]
Dean: "You were involved with the president's
balls?" [More laughter.]
Professor: "Yes, I handled them both." [Crescendo
And that's only the first hour of prime time. Between 9 and
11 air such heterosexually obsessed programs as NBC's "Seinfeld" and
"NewsRadio," ABC's "Spin City," CBS's "Cybill,"
and Fox's "Married... With Children," recently canceled after a
decade of filth.
So what movement is behind prime time's heterosexual
exhibitionism, pushing Tinseltown to lower the barrier relentlessly, no matter
what the public says... There is none. This one is pure Hollywood, which is
pushing the envelope without anyone's prodding. There is no political agenda,
just a desire to tear down tradition. And it could care less what the public
tells the pollsters. They're still watching.
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